Video Production & HD Live Streaming

 

Las Vegas Camera Operators

(702) 400-7785

“We have the camera gear and crew to fit your project. Call today for more information or a quote. 702-400-7785”


  1. -Ben Ellingson

  2. -EllingsonProductions.com

Red’s line of digital cinema cameras revolutionized the way production companied capture images for the big screen. Typical high end HD cameras have 2.1MP sensors. The RED Epic delivers 14MP and records RAW or 2x over sampled HD in 4:4:4 or 4:2:2. The images can only be described as ultra high definition. RED Epic is modular in design and a large range of options & accessories are available to customize and configure it to a wide range of studio and field production applications.


FORMATS AND FRAME RATES


RED cameras provides high performance digital imaging over a huge variety of frame rates and optical formats. Shoot at 5k (nearly six times the resolution of HD 1080), save your raw files as a digital negative and export just about any format from 720p - S35mm. Frame rates up to 120fps can be achieved at 5K resolution, while 2k or 1080p can be achieved at 300fps.


LENS OPTIONS


With RED cameras you can get the same depth of field of a 35mm film camera. With the standard PL mount this camera can be configured to accommodate most cinematography lenses from super 35mm, 35mm and 16mm. A B4 to PL adaptor is available to permit the use of 2/3" HD lenses and for those on a tighter budget a Canon EF mount is available to make use of their L series 35mm stills glass.


DYNAMIC RANGE


When operating at the default exposure index of 320ASA the sensor is capable of delivering up to 13.5 stops of dynamic range. Shooting RAW gives you unparalleled freedom to manipulate images in post.


A DIFFERENT APPROACH


The RED team have taken a very different approach in the development of their cameras. Instead of carrying out beta testing behind closed doors and shipping a finished camera that is full of annoying faults, they have invited camera operators and future owners to be part of the testing process and encouraged feedback. As a result of this collaborative process huge strides have been made and the camera is constantly evolving. The fact that even in the early stages of testing the RED camera has become the tool of choice for many of Hollywoods top cinematographers is testament to the fact that this camera had changed the industry.

Digital Cinematographers - RED Cameras

Jib Rentals

Need a Jib for your Las Vegas production? Rent a Jib with Operator here.

Tricaster Rentals

Traveling and need a Tricaster for your production? Call us at 702-400-7785

Red’s line of digital cinema cameras revolutionized the way production companied capture images for the big screen. Typical high end HD cameras have 2.1MP sensors. The RED Epic delivers 14MP and records RAW or 2x over sampled HD in 4:4:4 or 4:2:2. The images can only be described as ultra high definition.RED ONE is modular in design and a large range of options & accessories are available to customize and configure it to a wide range of studio and field production applications.


FORMATS AND FRAME RATES


RED cameras provides high performance digital imaging over a huge variety of frame rates and optical formats. Shoot at 6k, save your raw files as a digital negative and export just about any format from 720p - S35mm. Frame rates up to 120fps can be achieved at 6K resolution, while 2k or 1080p can be achieved at 300fps.


LENS OPTIONS


With RED cameras you can get the same depth of field of a 35mm film camera. With the standard PL mount this camera can be configured to accommodate most cinematography lenses from super 35mm, 35mm and 16mm. A B4 to PL adaptor is available to permit the use of 2/3" HD lenses and for those on a tighter budget a Canon EF mount is available to make use of their L series 35mm stills glass.


DYNAMIC RANGE


When operating at the default exposure index of 320ASA the sensor is capable of delivering up to 13.5 stops of dynamic range. Shooting RAW gives you unparalleled freedom to manipulate images in post.


A DIFFERENT APPROACH


The RED team have taken a very different approach in the development of their cameras. Instead of carrying out beta testing behind closed doors and shipping a finished camera that is full of annoying faults, they have invited camera operators and future owners to be part of the testing process and encouraged feedback. As a result of this collaborative process huge strides have been made and the camera is constantly evolving. The fact that even in the early stages of testing the RED camera has become the tool of choice for many of Hollywoods top cinematographers is testament to the fact that this camera had changed the industry.

DSLR Camera Packages - Canon 5Dmiii, Panasonic GH5